{"id":692,"date":"2023-06-30T22:25:59","date_gmt":"2023-06-30T22:25:59","guid":{"rendered":"https:\/\/westcoastaftershock.com\/wca\/2023\/06\/young-thug-business-is-business-review\/"},"modified":"2023-06-30T22:25:59","modified_gmt":"2023-06-30T22:25:59","slug":"young-thug-business-is-business-review","status":"publish","type":"post","link":"https:\/\/westcoastaftershock.com\/wca\/2023\/06\/young-thug-business-is-business-review\/","title":{"rendered":"Review: Young Thug, \u2018Business Is Business\u2019"},"content":{"rendered":"<div>\n<p class=\"has-drop-cap\">The Atlanta icon\u2019s latest album has the spirit of a posthumous release, cobbled together in honour of the #FreeThug movement.<\/p>\n<p>Young Thug\u2019s inspired a whole generation of modern music. What was one considered absurdly trash is now a heavily popular subgenre within hip hop. It\u2019s great that Thug gets his flowers, all while remaining active with material. That activity was seemingly put on hold when Thug found himself at the centre of the YSL RICO case in 2022. His career was put on the sidelines as the feds came knocking, losing time and affiliates along the way. At no command, Thug\u2019s released an album while he battles for freedom.<\/p>\n<p>Thug\u2019s incarceration predictably impacts the quality of <em>Business Is Business<\/em>, its curators acting as adversaries combing through the vaults for passable material.<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1070\" height=\"677\" src=\"https:\/\/westcoastaftershock.com\/wca\/wp-content\/uploads\/2026\/02\/young-thug-photo-1-3068288651-e1687607244746.jpeg\" alt=\"\" class=\"wp-image-23983\" srcset=\"https:\/\/westcoastaftershock.com\/wca\/wp-content\/uploads\/2026\/02\/young-thug-photo-1-3068288651-e1687607244746.jpeg 1070w, https:\/\/westcoastaftershock.com\/wca\/wp-content\/uploads\/2026\/02\/young-thug-photo-1-3068288651-e1687607244746.jpeg?w=150&#038;h=95 150w, https:\/\/westcoastaftershock.com\/wca\/wp-content\/uploads\/2026\/02\/young-thug-photo-1-3068288651-e1687607244746.jpeg?w=300&#038;h=190 300w, https:\/\/westcoastaftershock.com\/wca\/wp-content\/uploads\/2026\/02\/young-thug-photo-1-3068288651-e1687607244746.jpeg?w=768&#038;h=486 768w, https:\/\/westcoastaftershock.com\/wca\/wp-content\/uploads\/2026\/02\/young-thug-photo-1-3068288651-e1687607244746.jpeg?w=1024&#038;h=648 1024w\" sizes=\"auto, (max-width: 1070px) 100vw, 1070px\"><\/figure>\n<p><em>Business Is Business<\/em> has the essence of a posthumous record, despite Thug being alive and able to dictate direction. Plenty songs on the album were recorded years ago, cobbled together for a half-hearted release that serves no real purpose for Thug or his legacy. While fans will always welcome new music from their favourite artists, there\u2019s plenty of projects available in Thugger\u2019s lengthy catalogue to enjoy in the meantime. Fans are subjected to songs that sound like <em><a href=\"https:\/\/miccheque.com\/2019\/09\/03\/so-much-fun-review\/\">So Much Fun<\/a><\/em> and <em><a href=\"https:\/\/miccheque.com\/2021\/10\/23\/young-thug-punk-review\/\">Punk<\/a><\/em> leftovers (\u201cMoney on the Dresser\u201d, \u201cGlobal Access\u201d). Nothing fresh comes out the tracklist of <em>Business Is Business<\/em>.<\/p>\n<p>We\u2019re also subjected to the same merry-go-round of features for a mainstream rap album. Drake, 21 Savage, Travis Scott, Future and Lil Uzi Vert show their solidarity with the YSL boss by dropping an appearance, three of which show up more than once. It\u2019s beyond stale at this point, adding onto the aforementioned sentiment that nothing fresh comes out the tracklist.<\/p>\n<p>At times, <em>Business Is Business<\/em> shows what it can be capable of. The album peaks with \u201cJonesboro\u201d, a statement track hitting the heartfelt aura you\u2019d predict from an album contextualised around Thug\u2019s unfortunate incarceration. \u201cMad Dog\u201d grabs attention through its sticky hook and Metro Boomin production. \u201cParade on Cleveland\u201d sets a moody, dark tone fitting for the album, while \u201cHoodie\u201d is the closest we get to mixtape Thug. Though even these tracks prove why they were recorded and kept in the vault.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"embed-youtube\"><iframe loading=\"lazy\" title=\"Young Thug - Oh U Went (feat. Drake) [Official Video]\" width=\"792\" height=\"446\" src=\"https:\/\/www.youtube.com\/embed\/tGTKY1dpo_E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p>A few days after release, executive producer Metro Boomin rolled out an edition called \u2018Metro\u2019s Version\u2019, featuring two more tracks and alternate sequencing. Its existence proves the album has a hard time creating the right flow. It does improve on the original sequencing, moving highlights \u201cJonesboro\u201d and \u201cMad Dog\u201d right to the top of the billing. But other points show flaws that can\u2019t be avoided due to the poor selection of tracks in the first place.\u00a0<\/p>\n<p>It\u2019s not as if <em>Business Is Business <\/em>is needed to keep Young Thug relevant. An artist like Thug will always be relevant, which makes the album\u2019s existence even more puzzling. It\u2019s a half-hearted project cobbled together to honour the\u00a0 movement. We\u2019ve heard the ATLien in much better zones than this.<\/p>\n<p class=\"has-huge-font-size\" style=\"letter-spacing:0.8px;line-height:1\"><strong>5 \/ 10<\/strong><\/p>\n<p style=\"line-height:1.5\"><strong>Best tracks:<\/strong> \u201cJonesboro\u201d, \u201cParade on Cleveland\u201d, \u201cOh U Went\u201d<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Atlanta icon\u2019s latest album has the spirit of a posthumous release, cobbled together in honour of the #FreeThug movement.&hellip;<\/p>\n","protected":false},"author":14044,"featured_media":919,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,6],"tags":[10,9],"class_list":["post-692","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-rss","tag-culture","tag-hip-hop"],"_links":{"self":[{"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/posts\/692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/users\/14044"}],"replies":[{"embeddable":true,"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/comments?post=692"}],"version-history":[{"count":0,"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/posts\/692\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/media\/919"}],"wp:attachment":[{"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/media?parent=692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/categories?post=692"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/tags?post=692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}