{"id":4213,"date":"2026-03-12T19:06:17","date_gmt":"2026-03-12T19:06:17","guid":{"rendered":"https:\/\/westcoastaftershock.com\/wca\/2026\/03\/harbourview-and-the-quincy-jones-estate-join-forces\/"},"modified":"2026-03-12T19:06:17","modified_gmt":"2026-03-12T19:06:17","slug":"harbourview-and-the-quincy-jones-estate-join-forces","status":"publish","type":"post","link":"https:\/\/westcoastaftershock.com\/wca\/2026\/03\/harbourview-and-the-quincy-jones-estate-join-forces\/","title":{"rendered":"HarbourView and the Quincy Jones Estate Join Forces."},"content":{"rendered":"<div><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/westcoastaftershock.com\/wca\/wp-content\/uploads\/2026\/03\/qj.jpg\" class=\"webfeedsFeaturedVisual wp-post-image wp-post-image\" alt=\"\" style=\"display: block; margin-bottom: 5px; clear:both;max-width: 100%;\" link_thumbnail=\"\" srcset=\"https:\/\/westcoastaftershock.com\/wca\/wp-content\/uploads\/2026\/03\/qj.jpg 800w, https:\/\/rapindustry.com\/wp-content\/uploads\/2026\/03\/qj-300x169.jpg 300w, https:\/\/rapindustry.com\/wp-content\/uploads\/2026\/03\/qj-768x432.jpg 768w, https:\/\/rapindustry.com\/wp-content\/uploads\/2026\/03\/qj-267x150.jpg 267w, https:\/\/rapindustry.com\/wp-content\/uploads\/2026\/03\/qj-600x338.jpg 600w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\"><\/p>\n<p><span style=\"color: #000000;\">HarbourView Equity Partners (HarbourView), a multi-strategy investment firm focused on investment opportunities in music, sports, media and entertainment industries, today announced the acquisition of select music and non-music assets from the Estate of Quincy Jones, one of the most visionary and influential creators in modern history. The deal includes Jones\u2019 recorded music and publishing assets, as well as other ancillary rights, including his participation in The Fresh Prince of Bel-Air.<\/span><\/p>\n<p><span style=\"color: #000000;\">As part of the transaction, HarbourView will work in close partnership with the Quincy Jones Estate on go-forward initiatives tied to Jones\u2019 name, image, and likeness. Through conversations with Quincy Jones\u2019 children, the parties aligned around shared priorities of legacy preservation, education, and protection, ensuring his music and likeness are thoughtfully stewarded, safeguarded from unauthorized or exploitative uses, such as AI, and responsibly extended so future generations can fully understand and appreciate his global impact on music and culture.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u201cOur father was endlessly curious and always ahead of his time. Long before anyone talked about \u2018multi-platform,\u2019 he was already building bridges and connecting the dots across music, film, television, publishing, technology and culture, creating iconic juggernauts like Thriller, The Color Purple, The Fresh Prince of Bel-Air, and Vibe. These projects didn\u2019t just succeed; they became the gold standard,\u201d said Rashida Jones, on behalf of the Quincy Jones family. \u201cWhat made him extraordinary was his ability to see around corners and bring together the right people, ideas, and sounds to create timeless work again and again. As his children, our responsibility is to protect not only the catalog, but the spirit and love behind it. HarbourView understands that legacy and has the vision and expertise to help ensure that future generations can feel the full scope of his everlasting impact.\u201d<\/span><\/p>\n<h3><strong><span style=\"color: #000000;\">\u201cOur father didn\u2019t just create hits, he built platforms that shaped culture across music, film, media, and technology,\u201d said Quincy Jones III (QD3). \u201cHe believed innovation was a creative tool and embraced it early, from serving on the board of MIT to pushing the boundaries of what storytelling could be. He had a deep passion for empowering future generations of creatives, and saw technology\/innovation as a conduit if used ethically. HarbourView was the clear partner for our family: Sherrese Clarke\u2019s vision, cultural pride, and mission alignment give us great confidence that our father\u2019s legacy will be thoughtfully protected and carried forward.\u201d<\/span><\/strong><\/h3>\n<p><span style=\"color: #000000;\">\u201cQuincy Jones was not just a once-in-a-generation talent, he was a once-in-a-century architect of culture,\u201d said Sherrese Clarke, CEO of HarbourView Equity Partners. \u201cOur partnership with the Estate is rooted in deep respect for Quincy\u2019s creative vision and a long-term commitment to safeguarding his work, his likeness, and his influence for generations to come.\u201d<\/span><\/p>\n<p><span style=\"color: #000000;\">Over a career spanning more than six decades, Quincy Jones reshaped the sound of popular music and redefined what was possible for creators across industries. Named by TIME Magazine as one of the six most influential jazz artists of the 20th century, the Chicago-born icon built a singular career as a composer, producer, arranger, conductor, instrumentalist, record executive, entrepreneur, and humanitarian. He produced three of Michael Jackson\u2019s most successful and culturally transformative albums: Off the Wall, Thriller, and Bad, as well as the global charity anthem \u201cWe Are the World.\u201d<\/span><\/p>\n<p><span style=\"color: #000000;\">Jones\u2019 impact extended far beyond music into film, television, business, and culture at large. At just 28 years old, he became Vice President of Mercury Records, making history as the first Black executive at a major US record company. In 1985, he co-produced Steven Spielberg\u2019s adaptation of The Color Purple, earning a Tony Award and completing the rare EGOT distinction. One of the most decorated creative figures in history, Jones earned 28 GRAMMY\u00ae Awards and an unprecedented, record\u2011setting 80 nominations at the time, an Emmy Award, seven Academy Award nominations, and received the Academy\u2019s Jean Hersholt Humanitarian Award, the Governors Award for lifetime achievement, France\u2019s Commandeur de la L\u00e9gion d\u2019Honneur, a Kennedy Center Honor, designation as a National Endowment for the Arts Jazz Master, and the National Medal of Arts. In one of the most poetic intersections of art and history, astronaut Buzz Aldrin famously played Jones\u2019 arrangement of Frank Sinatra\u2019s \u201cFly Me to the Moon\u201d upon landing Apollo 11 in 1969, an enduring symbol of a legacy that helped carry American culture to the world, and beyond.<\/span><\/p>\n<p><span style=\"color: #000000;\">Beyond the arts, Jones has been a lifelong humanitarian, helping secure $27 billion in developing-world debt relief through the Jubilee 2000 initiative alongside Bono and Bob Geldof, and advancing global health and education via his Project Q Foundation in partnership with Harvard and leading NGOs. Together, his creative and humanitarian legacy exemplifies how artistic excellence and social impact can intersect, making the preservation and thoughtful stewardship of his life\u2019s work essential for future generations.<\/span><\/p>\n<p><span style=\"color: #000000;\">HarbourView\u2019s acquisition reinforces its mission to invest in culturally significant assets while partnering closely with artists and estates to align financial stewardship with long-term cultural impact. Additional announcements and tributes will follow in the coming weeks as collaborators and longtime creative partners share reflections on Quincy Jones\u2019 life, work, and enduring influence.<\/span><\/p>\n<p><span style=\"color: #000000;\">Since its inception in 2021, HarbourView has entered numerous strategic partnerships, including backing the kids\u2019 media company Animaj, powered by proprietary, creator safe, GenAI, reflecting its broader vision for media innovation. The company\u2019s coordinated value creation efforts include placements, such as Daniel Caesar\u2019s \u201cBlessed\u201d featured in Netflix\u2019s hit series Forever, the commercial license of Fleetwood Mac\u2019s \u201cThe Chain\u201d which was spotlighted in the official F1 movie trailer, and Bad Bunny\u2019s hit \u201cEoO\u201d\u2014 which samples Hector y Tito\u2019s \u201cPerreo Baby\u201d from HarbourView\u2019s catalog, which became a centerpiece of his viral Calvin Klein campaign and performance at the 2025 iHeart Radio Music Awards.<\/span><\/p>\n<p><span style=\"color: #000000;\">The company continues to expand their portfolio, underscoring their ongoing commitment to investing in culturally resonant content from artists and creators. With approximately $2.67 billion* in regulatory assets under management and 70+ music catalogs to date, including names such as Kelly Clarkson, T-Pain, Rodney \u201cDarkchild\u201d Jerkins, James Fauntleroy, George Benson, Luis Fonsi, Fleetwood Mac\u2019s Christine McVie, Pat Benatar, Neil Giraldo, Nelly, Hit-Boy, Kane Brown and more** \u2014 HarbourView continues to solidify its position as a leading player in music and entertainment investing.<\/span><\/p>\n<p><span style=\"color: #000000;\">Fox Rothschild served as legal counsel to HarbourView in this transaction. Quincy Jones Estate was represented by Gene Salomon and Don Passman at Gang, Tyre, Ramer, Brown &#038; Passman. Terms of the transaction were not disclosed.<\/span><\/p>\n<p>The post <a href=\"https:\/\/rapindustry.com\/harbourview-and-the-quincy-jones-estate-join-forces\/\">HarbourView and the Quincy Jones Estate Join Forces.<\/a> first appeared on <a href=\"https:\/\/rapindustry.com\/\">Rap Industry: New Hip Hop, Rap Videos, Music, News, &#038; more.<\/a>.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>HarbourView Equity Partners (HarbourView), a multi-strategy investment firm focused on investment opportunities in music, sports, media and entertainment industries, today&hellip;<\/p>\n","protected":false},"author":14044,"featured_media":4256,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,6],"tags":[10,9],"class_list":["post-4213","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-rss","tag-culture","tag-hip-hop"],"_links":{"self":[{"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/posts\/4213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/users\/14044"}],"replies":[{"embeddable":true,"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/comments?post=4213"}],"version-history":[{"count":0,"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/posts\/4213\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/media\/4256"}],"wp:attachment":[{"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/media?parent=4213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/categories?post=4213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/westcoastaftershock.com\/wca\/wp-json\/wp\/v2\/tags?post=4213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}